Our buddy Joby Harris, a visual strategist at NASA JPL, gave our Blast Off! pennant a tour of the facilities in Pasadena. Next time we'll accompany the pennant, but for now this is pretty freaking cool. Huge thanks to Joby for doing this! Above: The Mission Control Room.

The art studio:

At the Mission Formulation room:

At The Spacecraft Formulation Building:

The Mission Control Room lobby:

Misc. editorial work.

We got 6 inches of snow yesterday. So naturally Seattle is shut down and I'm chugging coffee while drawing in my slippers. Decided to dust off a few more Grandpa illos in the process. These 5 span approx. 5 decades, with the last one created the same year he passed away.

Here's a few fun character spots for a misc. newsletter, circa late 1940's to early 1950's ...

Well, it's about time. No more Flash. And we're pretty happy about that. Besides the obvious luxury of browsing our site on any platform, we've added quite a few new bells and whistles.

Here are the notable additions:

• Gift Certificates! Now you can purchase Gift Certificates in increments of $5 (up to $100) for that special someone ...

• Discount Codes! We'll be wheeling and dealing discounts in the shop from time to time, but we've got extra special plans for Lil' Happy Club participants. Stay tuned.

• New Blog! You'll notice the right sidebar has been given a facelift. Featuring new shop items, new work and coming soon: Flickr sets of our library, toy shelf and annual Lil' Happy Club submissions. All for the kids.

• FAQ! We tried to tackle the standard questions we receive on a daily basis, but I'm sure we'll be adding more in the near future (ie. Q: "Which one of you would win in a cagefight?", A: The cage)

Anyways, have a look around. We've buffed out the scratches and shined up the fenders for you. Enjoy.

Huge thanks to J.D., Phong, Kim and everyone over at the mighty Instrument for their skills.

A mighty big thanks to everyone who came out to our Full Circle show/Leroy C. launch party at Super7 on Saturday night. We had a blast. And as you can see above, Leroy did too.

If you find yourself in SF anytime soon, the show will be up for a few more weeks.

Photos courtesy of Zac Schwiet, Kaiju Chronicle and Toybot Studios.

We're excited to announce that we'll be showing a collection of work at the Super7 store in San Francisco, opening on April 23rd at 6PM. We'll also be debuting the first colorway of Leroy C., the newest member of the IC family! Super7 will have a limited amount on hand to take home.

We'll be sharing a collection of 20+ posters and prints, including a number of illustrations from our late grandfather, Alfred Paulsen. As someone who influenced our work tremendously and spent much of his young adult life in the bay area, we thought it would be fitting to include some of his work in the show.

We'll also have a few new limited Leroy C. prints available. Come out and say hi!

Another spot circa 1970's. Client: Unknown.

Another spot from Grandpa. This time it's Newton. Date: unknown. Publication: unknown.

10 Answers asked me 10 questions.

Found this one just in time. Happy Halloween everybody!

This has been sitting on my desk for 8+ years, so I've been meaning to post this for awhile. This is our Grandpa's old business card for 'Imaginators', his DBA for freelance projects.  I always thought 'Imaginators' was a great name as a kid and have since just assumed someone else has snatched it up. Turns out that I'm right, but it doesn't appear to be for anything substantial. I'm not 100% sure if Grandpa created the letterforms by hand or not, but I've always felt like it fit his style really well.

'Slide and Vu-Graph Illustration' - I love seeing that.

More editorial goodness from Grandpa.

These 3 pieces are some of my favorite from the AP vault. Not only are they a fun batch of mix-n-match monster features, but visual proof that buried somewhere deep within my DNA lies that love of creating monsters. My beloved grandmother recently just turned 86, and as my mom put it - we are 'attempting to mine her memory as much as possible' in regards to grandpa's work. There is just a lot she doesn't remember. My uncle states: "I'm not sure what the purpose was. He may have used them as examples when he was negotiating or demonstrating options to a client". Ahh, character comps. Sounds familiar.

Grandpa was always larger than life to Ryan and I. His career laid the foundation for our love of art. Unfortunately during most of our youth, we lived in different states and didn't get to see him as much as we would have liked. We grew up in Central Oregon while our grandparents lived in a little town called Oroville, about 90 miles south of Sacramento. I remember the yearly visits and the family gatherings at Christmas, but like most families at that time, we didn't have the money to travel often. Unfortunately, my memory of art conversations with him are fairly limited. I just remember always being in awe around him. He had a deep, soothing voice that commanded the attention and respect of everyone nearby. And I remember him always smiling and laughing. I like to think that had something to do with loving his 'job'. But on the other hand, I'm not convinced that artists really differentiate 'job' from 'life'.

In 1989, my father landed a new job in Sacramento. Relocating from a sleepy town in Oregon to a larger city was a big culture shock for me. And ironically - shortly after that, grandma and grandpa actually relocated to Washington state. Grandpa passed away in 1995. I was 20.

At the time of his passing, I was playing music and touring. Being in a band was my life. Art (visually at least) was on the back burner . I knew that it was something I was going to circle back to, but it wasn't in my immediate future.

Now that I'm 35 and have been doing this 'professionally' for almost 10 years, you can imagine how many questions I wished I would have asked him. It's something I can't spend a lot of time thinking about because of the obvious reasons.

I am grateful to have most of his pieces that he left behind, and the many family members who are helping to remember/research where and when these amazing illustrations came from. Many, many, many more to come.

Thanks, grandpa.

Here's another one from the files. Most likely late 1970's. Post NASA freelance. Looks to be something for 'Butte County'. Possibly a small local newspaper.

Many of you know that our grandfather, Alfred Paulsen, was a gifted illustrator who worked for NASA for 25+ years. During his tenure there (and after), he dabbled in all kinds of fun freelance work on the side. Recently we've started unearthing loads of his work and will be posting it on the blog from time to time.

I'm not sure what this spot was done for, but couldn't help but crack a smile just looking at it. Circa sometime in the 70's.

Much more to come.

Just a reminder that Poster Cabaret carries a handful of our posters and limited prints, including many that we're sold out of. They also have a few pieces left from the 2009 Sasquatch! Festival, including the limited edition black/metallic gold/glo-in-the-dark character series (we're also sold out of these). We'll be announcing some limited exclusive prints and color variants available only through Poster Cabaret very soon.

We've had an incredible year at IC and feel like passing on a little love. So, we've gotten drunk on eggnog, whipped up a graphic and logged into the blog. From now until next Monday, December 21st, we are including a FREE set of our IC Throwback Series with any order $20 or over. Please note that we have a limited amount, so when they're gone, they're gone.

'Time Will Tell' and 'Prized Possessions' are now (finally) available exclusively through Velocity! Each print is a whopping 17" x 22" (with a 1" border for framing) and is printed on beautiful German Etching Hahnenmühle Fine Art paper. Hand signed, limited edition run of 50.