I had the pleasure of answering a few questions for Meghan over at The Creative Unconscious. Thanks for the opportunity Meghan!

Last year we received a call from our favorite software company, asking us if we'd like to preview the soon-to-be-released Illustrator CC. The one caveat was that we had to create whatever we wanted and document how we did it. Our answer? A resounding 'Awesome!' and "Uh-oh, what are we going to create?" There were no guidelines, save for a few key words: Modern, fearless and reborn. Adobe's theme for the new release.

Since we had just recently bought a farm outside of the city, we were in the thick of having our normal lives turned upside down - yet at the same time, we were having a blast with our new lifestyle. 'Reality. Reborn.' is inspired by that personal transition ... blended together nicely with the amazing new features of Illustrator CC and Adobe's willingness to give us carte blanche on creative direction.

We've been using Adobe's products for almost 20 years now and rely extensively on their tools to create our projects. Huge thanks to Terry Hemphill and the Adobe team for asking us to do this. We had a lot of fun with CC's great new features.

Without further ado, download Adobe's awesome iPad magazine, Inspire to check it all out - or read it online. And to top it all off, grab the mega-huge uber-limited 25" x 46" poster in our shop now.

Read about how we went from sketch phase to final color blocking ... and how our process always evolves as we work.

One of the coolest new features in CC is the Multiple File Place tool, allowing you to adjust the size of your file before dropping them on the artboard.

CC's new Touch Type tool is especially great as well, allowing you to manipulate and edit individual characters without creating outlines.

Those are just 2 of my favorite new features. Read about the rest. A few details below:

... and pick up the giant 25" x 46" poster in the shop now for only $40.

It's an absolute honor to be interviewed by The Great Discontent. Cozy up with that brand new iPad from Grandma and have a read. Merry Christmas and Happy New Year!

Is there still a role for designers in the music industry? We're honored to be amongst 7 studios interviewed and featured in IdN's Music Graphic issue.

Recorded music has always been packaged, from the very earliest days when wax cylinders came in cardboard tubes, and has therefore always involved designers. In the palmy days of vinyl LPs with sometimes stunning cover art and often erudite liner notes, the presentation was almost as important as the product.

But with the industry morphing so rapidly into the field of digital-download delivery, where do the graphics come in now? This is a burning question for all those working in the area of visually representing music. To see what their answers are, read this feature story, which solicits the views of seven specialist music designers.

Featuring: Telegramme Studio | Invisible Creature, Inc. | IWant Design | Daniel Reed | Matteo Meta | Leif Podhajsky | Giottographica

// Grab a copy here.

We're honored to be part of the fantastic new book Kern and Burn: Conversations With Design Entrepreneurs curated by Tim Hoover and Jessica Karle Heltzel. Featuring Aaron Draplin, Heads Of State, Arman Vit and many others.

'Kern and Burn: Conversations With Design Entrepreneurs' is a beautiful two-color book that features candid conversations with 30 leading designers who have founded startups, channeled personal passions into self-made careers and taken risks to do what they love. In this book they share their failures, successes, and perspectives. Our hope is that you can learn from them — not to follow in their footsteps, but to chart your own course in parallel, one that allows you to thrive, add value to the world and love what you do.

The entire Kern and Burn project was brought to life by a successful Kickstarter campaign, but here's where it all started. Tim and Jessica's spirit and passion for this book is an inspiration, pick up a copy if you can!

Honored to be featured in Print's 2012 Regional Design Annual. Gigantic thanks goes to our favorite clients over at Target inHouse.

Our gracious friends over at VSCO Film asked me a few questions about work and family.

The folks over at My Plastic Heart asked to take a peek into our toy collection. So we broke out the camera. Part one. Part two.

Design Bureau Magazine asks us a few questions in their latest issue. Featuring K-Rash like a boss on the cover.

We are very pleased to be contributing to EMP's new exhibit exploring the world of horror film and the human experience it produces. Can't Look Away: The Lure Of Horror Film features 19 of our illustrations, some truly amazing artifacts, interactive experiences, and information galore. We got a sneak peek at the show, and it's absolutely incredible! Do yourself a favor and check it out- open to the public October 2nd. And check out the portfolio for a more extensive look at the work!

Everyone's tweeting. Apparently that means we have to as well. We promise we'll never talk about what we had for lunch. Unless it was really good.

Growing up, Ryan and I were Lego FANATICS. I vividly remember the massive room-sized bag of Legos that my mom found at a garage sale for $8 - and the day she brought it home. Our jaws dropped. We dabbled in Transformers, G.I. Joe and He-Man, but the Legos got the most love - for years and years. Naturally, my own kids love them (what kid doesn't?!) and those days in the 80's of creating airplanes and robots out of blocks are ever-present in our house 20+ some years later. I still think it might be the best toy to actually spawn creativity and imagination. All that to say - I just love Jason Freeny's anatomy of the lego man. Brilliant.

And yes, we are going to Legoland next summer. Anyone been?

Via Likecool

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