Our buddy Joby Harris, a visual strategist at NASA JPL, gave our Blast Off! pennant a tour of the facilities in Pasadena. Next time we'll accompany the pennant, but for now this is pretty freaking cool. Huge thanks to Joby for doing this! Above: The Mission Control Room.

The art studio:

At the Mission Formulation room:

At The Spacecraft Formulation Building:

The Mission Control Room lobby:

Misc. editorial work.

We got 6 inches of snow yesterday. So naturally Seattle is shut down and I'm chugging coffee while drawing in my slippers. Decided to dust off a few more Grandpa illos in the process. These 5 span approx. 5 decades, with the last one created the same year he passed away.

Well, the second annual Lil' Happy Club was another fun success. Over 130 envelopes were sent in and we had a blast checking out each original creation. Thanks to all of you who spent the time to craft your envelope and send it off to our hood. We're a bit busy with a few projects right now, but we promise to return the favor soon. Oh, and check out our favorites here.

Tommy Perez (see last post) blogged about his ultra cool Leroy C. Lil' Happy submission. Downloadable PDF (courtesy of Tommy) coming soon as well.

It's that time of year again. What time is that you ask? Lil' Happy time. Last year was heaps of fun - we had a few hundred envelope submissions in a little over a month. We promised ourselves that if it was a success, we'd make it an annual thing. Well, here we are.

As Lil' Happy's new outfit may suggest, this year is a bit different. We've got a few tricks up our sleeve that may need to be 'decoded', but unfortunately you won't know what that is until you get your envelopes back. Cool, right?

For those of you that did not participate last year -- or are just now joining us ... here is why we created the Lil' Happy Club and what it is exactly:

---------

Do you remember real mailboxes? How about real mail? What about that feeling of excitement as you opened up that rusty old mailbox in hopes that something would be addressed to YOU?

It seems like much of that is lost nowadays. A letter addressed to us now means we probably owe someone money.

Well, we miss that feeling. So, we decided to start The Lil' Happy Invisible Creature S.A.S.E. Club. Inspired by our youth - when the simple task of addressing an envelope to ourselves, licking a few stamps and patiently waiting a few weeks could mean receiving anything from a signed baseball card from spring training to various stickers from our favorite skateboard company.

It's real simple. Send us a self-addressed stamped envelope and we'll fill it with goodies.

However, we thought we'd make it a bit more fun and interactive. Regardless of your artistic ability, your envelope addressed to us MUST be creatively designed or illustrated. No rules, anything goes - and we'll post the 'Envelope of the Day' (our daily favorite) on the Lil' Happy Twitter and Flickr pages.

So, that's it! Oh, and we figured we should set some ground rules and answer a few questions. Just in case.

---------

DEADLINE: October 15th, 2011 Please send us your S.A.S.E. by that date.

Please send your envelopes to: The Lil' Happy Invisible Creature S.A.S.E. Club, P.O. Box 375, Seahurst, WA 98062

Q: How many stamps should I put on the envelope that will be returned to me? A: Great question. Please slap TWO stamps on the return envelope.

Q: I can't draw to save my life. What should I do? A: Like we mentioned, it's regardless of your ability. C'mon, it'll be fun!

Q: What are you going to send us? A: We're not telling. It'll be fun though. We promise.

Q: When should we expect our envelope back? A: In the fall. It could take us awhile as we also run a full-time studio over here. If you send it, it will come. A little patience.

Q: I don't live in the U.S., can I still participate? A: Probably not, due to customs. However, we aren't international mail professionals, if you can find a way that works via USPS, we'll definitely send it back! If it involves anything more than dropping it in a mailbox, we won't be able to pull it off. Sorry.

Q: Can I send you more than one envelope? A: No, sorry.

Q: Can I send a poster tube? How about a large document envelope or soft pack? A: Sorry, no. Let's keep this old school. Legal sized envelopes would be the biggest/best option. Be sure to slap 2 stamps on that return envelope though!

Any more questions? Feel free to email us at lilhappy@invisiblecreature.com

Here's a few fun character spots for a misc. newsletter, circa late 1940's to early 1950's ...

A mighty big thanks to everyone who came out to our Full Circle show/Leroy C. launch party at Super7 on Saturday night. We had a blast. And as you can see above, Leroy did too.

If you find yourself in SF anytime soon, the show will be up for a few more weeks.

Photos courtesy of Zac Schwiet, Kaiju Chronicle and Toybot Studios.

We're excited to announce that we'll be showing a collection of work at the Super7 store in San Francisco, opening on April 23rd at 6PM. We'll also be debuting the first colorway of Leroy C., the newest member of the IC family! Super7 will have a limited amount on hand to take home.

We'll be sharing a collection of 20+ posters and prints, including a number of illustrations from our late grandfather, Alfred Paulsen. As someone who influenced our work tremendously and spent much of his young adult life in the bay area, we thought it would be fitting to include some of his work in the show.

We'll also have a few new limited Leroy C. prints available. Come out and say hi!

Another spot circa 1970's. Client: Unknown.

Another spot from Grandpa. This time it's Newton. Date: unknown. Publication: unknown.

Found this one just in time. Happy Halloween everybody!

This has been sitting on my desk for 8+ years, so I've been meaning to post this for awhile. This is our Grandpa's old business card for 'Imaginators', his DBA for freelance projects.  I always thought 'Imaginators' was a great name as a kid and have since just assumed someone else has snatched it up. Turns out that I'm right, but it doesn't appear to be for anything substantial. I'm not 100% sure if Grandpa created the letterforms by hand or not, but I've always felt like it fit his style really well.

'Slide and Vu-Graph Illustration' - I love seeing that.

More editorial goodness from Grandpa.

These 3 pieces are some of my favorite from the AP vault. Not only are they a fun batch of mix-n-match monster features, but visual proof that buried somewhere deep within my DNA lies that love of creating monsters. My beloved grandmother recently just turned 86, and as my mom put it - we are 'attempting to mine her memory as much as possible' in regards to grandpa's work. There is just a lot she doesn't remember. My uncle states: "I'm not sure what the purpose was. He may have used them as examples when he was negotiating or demonstrating options to a client". Ahh, character comps. Sounds familiar.

Grandpa was always larger than life to Ryan and I. His career laid the foundation for our love of art. Unfortunately during most of our youth, we lived in different states and didn't get to see him as much as we would have liked. We grew up in Central Oregon while our grandparents lived in a little town called Oroville, about 90 miles south of Sacramento. I remember the yearly visits and the family gatherings at Christmas, but like most families at that time, we didn't have the money to travel often. Unfortunately, my memory of art conversations with him are fairly limited. I just remember always being in awe around him. He had a deep, soothing voice that commanded the attention and respect of everyone nearby. And I remember him always smiling and laughing. I like to think that had something to do with loving his 'job'. But on the other hand, I'm not convinced that artists really differentiate 'job' from 'life'.

In 1989, my father landed a new job in Sacramento. Relocating from a sleepy town in Oregon to a larger city was a big culture shock for me. And ironically - shortly after that, grandma and grandpa actually relocated to Washington state. Grandpa passed away in 1995. I was 20.

At the time of his passing, I was playing music and touring. Being in a band was my life. Art (visually at least) was on the back burner . I knew that it was something I was going to circle back to, but it wasn't in my immediate future.

Now that I'm 35 and have been doing this 'professionally' for almost 10 years, you can imagine how many questions I wished I would have asked him. It's something I can't spend a lot of time thinking about because of the obvious reasons.

I am grateful to have most of his pieces that he left behind, and the many family members who are helping to remember/research where and when these amazing illustrations came from. Many, many, many more to come.

Thanks, grandpa.

Here's another one from the files. Most likely late 1970's. Post NASA freelance. Looks to be something for 'Butte County'. Possibly a small local newspaper.

Many of you know that our grandfather, Alfred Paulsen, was a gifted illustrator who worked for NASA for 25+ years. During his tenure there (and after), he dabbled in all kinds of fun freelance work on the side. Recently we've started unearthing loads of his work and will be posting it on the blog from time to time.

I'm not sure what this spot was done for, but couldn't help but crack a smile just looking at it. Circa sometime in the 70's.

Much more to come.