We had the honor of creating art for April & October as part of Studio On Fire's brand new "Home Edition" 2016 calendar. We'll be including a set in random orders this month, but you can officially grab one here. Thanks for asking us, guys!
Filtering by Category: Happy New Year,Al Paulsen
It's an absolute honor to be interviewed by The Great Discontent. Cozy up with that brand new iPad from Grandma and have a read. Merry Christmas and Happy New Year!
US folks: Place your holiday orders by Wednesday, December 18th to insure delivery before Christmas. We won't be shipping between Dec. 19th-January 6th.
Our buddy Joby Harris, a visual strategist at NASA JPL, gave our Blast Off! pennant a tour of the facilities in Pasadena. Next time we'll accompany the pennant, but for now this is pretty freaking cool. Huge thanks to Joby for doing this! Above: The Mission Control Room.
The art studio:
At the Mission Formulation room:
At The Spacecraft Formulation Building:
The Mission Control Room lobby:
As we celebrate IC's 6 year anniversary, we are thankful for 2012 (our bestest year yet!) and the amazing projects we've had the pleasure of working on. So we thought we'd spread the joy a little by creating "The Lookout", a sequel (of sorts) to 2010's Snowballer print. With every purchase over $25, we'll be sending out a signed 11" x 14" giclee print until December 20th, which also happens to be our last day of shipping before Christmas.
Special note - International orders: Due to shipping costs, we are only able to send "The Lookout" with poster and print orders. Offer doesn't apply to T-shirt or toy orders. Sorry!
We'll have the set of 2 available to purchase after the holidays. Go in peace!
We got 6 inches of snow yesterday. So naturally Seattle is shut down and I'm chugging coffee while drawing in my slippers. Decided to dust off a few more Grandpa illos in the process. These 5 span approx. 5 decades, with the last one created the same year he passed away.
We had a fun and crafty time creating end-of-the-year 'Thank You' gifts for a few of our A.D.'s at Target this year. Dad made all of the sets and our buddy Sean Ingram over at Blue Collar printed them up. Look for more Dad Clark collaborations coming soon. It's just too much fun.
Well, IC is officially shut down until 2012. Oh, what a year. Many, many thanks to our wonderful clients, customers and folks just generally interested in what we do. As the studio turns 5 this month, we are so thankful to be celebrating our best year yet. Here's to 2011 and a big high-five to 2012. So much fun stuff in the works ...
Merry Christmas and Happy New Year! -Don & Ryan
Here's a few fun character spots for a misc. newsletter, circa late 1940's to early 1950's ...
A mighty big thanks to everyone who came out to our Full Circle show/Leroy C. launch party at Super7 on Saturday night. We had a blast. And as you can see above, Leroy did too.
If you find yourself in SF anytime soon, the show will be up for a few more weeks.
Photos courtesy of Zac Schwiet, Kaiju Chronicle and Toybot Studios.
We're excited to announce that we'll be showing a collection of work at the Super7 store in San Francisco, opening on April 23rd at 6PM. We'll also be debuting the first colorway of Leroy C., the newest member of the IC family! Super7 will have a limited amount on hand to take home.
We'll be sharing a collection of 20+ posters and prints, including a number of illustrations from our late grandfather, Alfred Paulsen. As someone who influenced our work tremendously and spent much of his young adult life in the bay area, we thought it would be fitting to include some of his work in the show.
We'll also have a few new limited Leroy C. prints available. Come out and say hi!
Another spot circa 1970's. Client: Unknown.
Another spot from Grandpa. This time it's Newton. Date: unknown. Publication: unknown.
Found this one just in time. Happy Halloween everybody!
This has been sitting on my desk for 8+ years, so I've been meaning to post this for awhile. This is our Grandpa's old business card for 'Imaginators', his DBA for freelance projects. I always thought 'Imaginators' was a great name as a kid and have since just assumed someone else has snatched it up. Turns out that I'm right, but it doesn't appear to be for anything substantial. I'm not 100% sure if Grandpa created the letterforms by hand or not, but I've always felt like it fit his style really well.
'Slide and Vu-Graph Illustration' - I love seeing that.
More editorial goodness from Grandpa.
These 3 pieces are some of my favorite from the AP vault. Not only are they a fun batch of mix-n-match monster features, but visual proof that buried somewhere deep within my DNA lies that love of creating monsters. My beloved grandmother recently just turned 86, and as my mom put it - we are 'attempting to mine her memory as much as possible' in regards to grandpa's work. There is just a lot she doesn't remember. My uncle states: "I'm not sure what the purpose was. He may have used them as examples when he was negotiating or demonstrating options to a client". Ahh, character comps. Sounds familiar.
Grandpa was always larger than life to Ryan and I. His career laid the foundation for our love of art. Unfortunately during most of our youth, we lived in different states and didn't get to see him as much as we would have liked. We grew up in Central Oregon while our grandparents lived in a little town called Oroville, about 90 miles south of Sacramento. I remember the yearly visits and the family gatherings at Christmas, but like most families at that time, we didn't have the money to travel often. Unfortunately, my memory of art conversations with him are fairly limited. I just remember always being in awe around him. He had a deep, soothing voice that commanded the attention and respect of everyone nearby. And I remember him always smiling and laughing. I like to think that had something to do with loving his 'job'. But on the other hand, I'm not convinced that artists really differentiate 'job' from 'life'.
In 1989, my father landed a new job in Sacramento. Relocating from a sleepy town in Oregon to a larger city was a big culture shock for me. And ironically - shortly after that, grandma and grandpa actually relocated to Washington state. Grandpa passed away in 1995. I was 20.
At the time of his passing, I was playing music and touring. Being in a band was my life. Art (visually at least) was on the back burner . I knew that it was something I was going to circle back to, but it wasn't in my immediate future.
Now that I'm 35 and have been doing this 'professionally' for almost 10 years, you can imagine how many questions I wished I would have asked him. It's something I can't spend a lot of time thinking about because of the obvious reasons.
I am grateful to have most of his pieces that he left behind, and the many family members who are helping to remember/research where and when these amazing illustrations came from. Many, many, many more to come.
Thanks, grandpa.
Here's another one from the files. Most likely late 1970's. Post NASA freelance. Looks to be something for 'Butte County'. Possibly a small local newspaper.