Filtering by Category: Kids,Al Paulsen

Ahhhh, our favorite time of year is back. The two Frank's (Sinatra & Capra), Yuletide logs, eggnogs, and Lord Of The Rings DVD extras in our pajamas. And of course, the great seasonal goodies at Target. We were lucky enough to work on two fun stocking stuffers this Holiday season. Last year, the LEGO Build A Bullseye set was such a hit, we were asked to come back for round two. And to make the kids (and us) even more ecstatic, you can create a polar bear and snowman in addition to Bullseye dog. It all folds up into a gift-able size for that special someone. Sequels are supposed to be better, right?

And the gifts keep coming ... We were also asked to design and illustrate a super-fun (and addicting) interactive game featuring our favorite pooch. The big idea: Can you pat the dogs as quickly as they light up without losing your cool? Oh, and each level gets more and more insane as you continue to play. Lights, barking, action. Find them both in-store or online now.

Art direction: Brian Holt, Rob Weaver and Ted Halbur. Once again, extra special thanks to the team at Target.

Kids. We love 'em. Teenagers ... well, we love them too. With both in mind, we're excited to offer 4 new stretched canvas prints and posters through Wheatpaste Art Collective. The stretched canvas prints are a whopping 24" x 30" and the uber-cool removable non-toxic "sticky" posters are an even more-whopping 28" x 35". We've got a few samples of both formats in the shop and we aren't afraid to tell you the quality level is perfect-o. The colors are rich and just as vivid as you see here. You can purchase them individually or collect the whole set. Seem them a tad bigger here. Enjoy ... here's to the kids.

"Afternoon Snack":

"The Visitor":

"High & Dry":

"Neighborhood Cookout":

What is Heartwork?

Heartwork is a project designed to raise money for art supplies within the art room at Target House—this wonderful home-away-from-home for the families of children facing long-term treatment at St. Jude Children’s Research Hospital.

The whole idea started simply enough. We, along with a few other creative individuals, were asked to work on various design projects for Target House. But, in the process, we were so deeply moved by the experience that we didn’t want it to end. We witnessed first hand the special connection the kids had with the art room in particular. It was a place where we saw kids at all stages of health just being kids.

So, we began to wonder, “What if we could create a ongoing way to support more and better art supplies for these children?” It was then that Heartwork was born.

The idea is simple. Every year, a group of talented artists will create a series of prints to raise money for the art room. Each of the prints will feature a different interpretation of the Target House elephant mascot, chosen because it represents family, long life, strength and playfulness—attributes with special meaning at a place designed for families to live, play and heal.

Print details:

Archival giclee - printed with pigment inks on archival cotton rag paper Size: 11 inches x 14 inches Signed & numbered editions of 40

Purchase the prints here.

"Elephants Love Ooey Gooey Peanut Butter" by Johnny Yanok:

"Snailaphant" by Nate Williams and "When Elephants Fly" by Anna Chambers:

"Collaboration" by Don Clark

"Love To Grow" by Scott Thares and "Balancing Act" by Christopher Lee:

"Circus" by Katie Kirk and "Better Days Ahead" by Richard Boynton:

"Waterworks" by Ryan Clark:

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"Tuskers Ahoy" by Michael Bartalos:

The Scott Hamilton Arts & Crafts Room at Target House:

We're honored to be part of this project and thankful for everyone who donated their time and talent.

We're excited to announce that we'll be showing a collection of work at the Super7 store in San Francisco, opening on April 23rd at 6PM. We'll also be debuting the first colorway of Leroy C., the newest member of the IC family! Super7 will have a limited amount on hand to take home.

We'll be sharing a collection of 20+ posters and prints, including a number of illustrations from our late grandfather, Alfred Paulsen. As someone who influenced our work tremendously and spent much of his young adult life in the bay area, we thought it would be fitting to include some of his work in the show.

We'll also have a few new limited Leroy C. prints available. Come out and say hi!

This has been sitting on my desk for 8+ years, so I've been meaning to post this for awhile. This is our Grandpa's old business card for 'Imaginators', his DBA for freelance projects.  I always thought 'Imaginators' was a great name as a kid and have since just assumed someone else has snatched it up. Turns out that I'm right, but it doesn't appear to be for anything substantial. I'm not 100% sure if Grandpa created the letterforms by hand or not, but I've always felt like it fit his style really well.

'Slide and Vu-Graph Illustration' - I love seeing that.

These 3 pieces are some of my favorite from the AP vault. Not only are they a fun batch of mix-n-match monster features, but visual proof that buried somewhere deep within my DNA lies that love of creating monsters. My beloved grandmother recently just turned 86, and as my mom put it - we are 'attempting to mine her memory as much as possible' in regards to grandpa's work. There is just a lot she doesn't remember. My uncle states: "I'm not sure what the purpose was. He may have used them as examples when he was negotiating or demonstrating options to a client". Ahh, character comps. Sounds familiar.

Grandpa was always larger than life to Ryan and I. His career laid the foundation for our love of art. Unfortunately during most of our youth, we lived in different states and didn't get to see him as much as we would have liked. We grew up in Central Oregon while our grandparents lived in a little town called Oroville, about 90 miles south of Sacramento. I remember the yearly visits and the family gatherings at Christmas, but like most families at that time, we didn't have the money to travel often. Unfortunately, my memory of art conversations with him are fairly limited. I just remember always being in awe around him. He had a deep, soothing voice that commanded the attention and respect of everyone nearby. And I remember him always smiling and laughing. I like to think that had something to do with loving his 'job'. But on the other hand, I'm not convinced that artists really differentiate 'job' from 'life'.

In 1989, my father landed a new job in Sacramento. Relocating from a sleepy town in Oregon to a larger city was a big culture shock for me. And ironically - shortly after that, grandma and grandpa actually relocated to Washington state. Grandpa passed away in 1995. I was 20.

At the time of his passing, I was playing music and touring. Being in a band was my life. Art (visually at least) was on the back burner . I knew that it was something I was going to circle back to, but it wasn't in my immediate future.

Now that I'm 35 and have been doing this 'professionally' for almost 10 years, you can imagine how many questions I wished I would have asked him. It's something I can't spend a lot of time thinking about because of the obvious reasons.

I am grateful to have most of his pieces that he left behind, and the many family members who are helping to remember/research where and when these amazing illustrations came from. Many, many, many more to come.

Thanks, grandpa.

Many of you know that our grandfather, Alfred Paulsen, was a gifted illustrator who worked for NASA for 25+ years. During his tenure there (and after), he dabbled in all kinds of fun freelance work on the side. Recently we've started unearthing loads of his work and will be posting it on the blog from time to time.

I'm not sure what this spot was done for, but couldn't help but crack a smile just looking at it. Circa sometime in the 70's.

Much more to come.

Growing up, Ryan and I were Lego FANATICS. I vividly remember the massive room-sized bag of Legos that my mom found at a garage sale for $8 - and the day she brought it home. Our jaws dropped. We dabbled in Transformers, G.I. Joe and He-Man, but the Legos got the most love - for years and years. Naturally, my own kids love them (what kid doesn't?!) and those days in the 80's of creating airplanes and robots out of blocks are ever-present in our house 20+ some years later. I still think it might be the best toy to actually spawn creativity and imagination. All that to say - I just love Jason Freeny's anatomy of the lego man. Brilliant.

And yes, we are going to Legoland next summer. Anyone been?

Via Likecool