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What is Heartwork?

Heartwork is a project designed to raise money for art supplies within the art room at Target House—this wonderful home-away-from-home for the families of children facing long-term treatment at St. Jude Children’s Research Hospital.

The whole idea started simply enough. We, along with a few other creative individuals, were asked to work on various design projects for Target House. But, in the process, we were so deeply moved by the experience that we didn’t want it to end. We witnessed first hand the special connection the kids had with the art room in particular. It was a place where we saw kids at all stages of health just being kids.

So, we began to wonder, “What if we could create a ongoing way to support more and better art supplies for these children?” It was then that Heartwork was born.

The idea is simple. Every year, a group of talented artists will create a series of prints to raise money for the art room. Each of the prints will feature a different interpretation of the Target House elephant mascot, chosen because it represents family, long life, strength and playfulness—attributes with special meaning at a place designed for families to live, play and heal.

Print details:

Archival giclee - printed with pigment inks on archival cotton rag paper Size: 11 inches x 14 inches Signed & numbered editions of 40

Purchase the prints here.

"Elephants Love Ooey Gooey Peanut Butter" by Johnny Yanok:

"Snailaphant" by Nate Williams and "When Elephants Fly" by Anna Chambers:

"Collaboration" by Don Clark

"Love To Grow" by Scott Thares and "Balancing Act" by Christopher Lee:

"Circus" by Katie Kirk and "Better Days Ahead" by Richard Boynton:

"Waterworks" by Ryan Clark:

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"Tuskers Ahoy" by Michael Bartalos:

The Scott Hamilton Arts & Crafts Room at Target House:

We're honored to be part of this project and thankful for everyone who donated their time and talent.

Growing up, Ryan and I were Lego FANATICS. I vividly remember the massive room-sized bag of Legos that my mom found at a garage sale for $8 - and the day she brought it home. Our jaws dropped. We dabbled in Transformers, G.I. Joe and He-Man, but the Legos got the most love - for years and years. Naturally, my own kids love them (what kid doesn't?!) and those days in the 80's of creating airplanes and robots out of blocks are ever-present in our house 20+ some years later. I still think it might be the best toy to actually spawn creativity and imagination. All that to say - I just love Jason Freeny's anatomy of the lego man. Brilliant.

And yes, we are going to Legoland next summer. Anyone been?

Via Likecool

I was recently turned on to Showtime's amazing series, Dexter, and my wife and I are doing our best to catch up in order to be prepared for the 3rd season, which begins September 28th. In watching the opening title sequence for the show, (which is phenomenal) I couldn't help but assume, by the beautiful macro shots and clever insinuations, that Digital Kitchen might've been responsible for this. Alas, I was correct: "Entertainment" section, row 2, column 3 here. Oh, and in case you don't know anything about this show, and just so the titles make sense, Dexter is a forensic scientist/serial killer.

Demetre told me to check this show out a few weeks ago and I finally got around to it. Wow, I didn't realize how late in the game I was, but I guess the best do come to those who wait. Mad Men is brilliant on many levels - and EVERYONE is raving about it. It's shot perfectly, the era (1960's) is executed beautifully and the story ... well, it's great in a way that only cinema can pull off. Double lives, crooked ad men, drinking and smoking on the job, racism, sexism. It's like The Soprano's meets Leave It To Beaver, but without the killing or June Cleaver. 

Season 2 just started, but the entire first season is available on Comcast On-Demand HD (!) for 5 more days. However, if you wanted to purchase it, the packaging looks pretty killer.